P1 Delay / Tap BPM
Once you turn P1, the lock icon
disappears, the Multiplier number turns
white and P1 becomes a Delay control.
Delay has a range of 1ms to 2.9 seconds,
and a track without a BPM tag will start at
500 ms. A slow turn gives 1ms adjustment
resolution, while a fast turn increases
the resolution to 200 ms per step. To get
back to the original BPM after adjusting
Delay, select a multiplier with J1, and the
Multiplier number changes to green. A
single Tap of P1 will resync the delay to
the BPM.
J1
Multiplier
Pressing J1 toggles between normal
transform operation (indicator off) and
the BPM Multiplier (green indicator on).
With the green indicator lit, J1 adjusts the
multiplier to 4, 2, 1, 3/4, 1/2, 1/4, 1/8, or
1/16. Multipliers that exceed the Delay
memory will not function and are grayed-
out in the software control panel. If BPM is
set with tapping, the multiplier is set to 1.
The multiplier is not reset when the BPM
is set via the ID3 tag, so your subsequent
tracks can stay at x4 if you wish. The
active Multiplier is shown in green text
when locked to a BPM.
P2
Feedback
Feedback is the amount of delayed signal
fed back to the delay input. Feedback
minimum to maximum is 1
1
/
3
rotations
of P2. The Delay clears after one
circulation when Feedback is brought to
0%. The Delay clears immediately when
uninserted, but changing the insert point
does not clear the feedback loop. This
is useful for adding PGM 2 Echo to the
fading PGM 1 Echo. To clear the loop
and start a fresh Echo immediately, rapid
double-click on the insert point B1, B2,
B3 or B4.
J2
Wet / Dry Mix
Pressing J2 toggles between transform
operation (indicator off) and Wet / Dry
control (green indicator on). The echo
default is 50% Wet / 50% Dry. J2 has the
same operation on all effects. See “J2
Wet / Dry Mix” on page 44.
Hold Echo Control
Assignments
If the track has a BPM tag, the Echo
BPM is automatically set and a lock icon
appears in the Echo section. To manually
set the BPM of the Echo, tap P1 (or the
footswitch) to the beat.
Hold Echo Effect Differences
• Feedback starts with 100% but
adjustable to 0% with P2.
• Feedback generates as long as it is
inserted and B6 is on.
• Delay still loops after B6 is off. If
Feedback is set to 100% it will loop for
days. The loop will decay if Feedback is
reduced. Uninsert the Effect to stop the
loop immediately.
• P2 has no second function in the Hold
Echo.
GROUPDECK
P1 P2
J1
B1 B2
12
B3 B4 B5 B6
J2
PROCESSOR 1
DELAY FEEDBACK
HP ECHO FREQTAP BPM
PROCESSOR 2MULTIPLIER
PGM 1 PGM 2 AUX B MAIN ON ON
INSERT POINT CUE EFFECT
ALL WET
MORE
DRY
ALL DRY
MORE
WET
1
3/4
1/4 8
2
1/2
16
4
P1
•
Delay
•
PGM 2
•
AUX
•
MAIN
•
PGM 2
AUX
MAIN
Tap
P1
•
for manual BPM.
•
P2
Feedback
range = 0 to 100%
Echo starts to
build when effect
B6
•
on
•
•
•
•
HP Hold Echo Effect Differences
• Each delay cycle repeatedly runs
through a second-order High Pass Filter
having a set resonance of 0.7.
• Filter Cutoff Frequency is adjusted
with the second function of P2 (green
indicator on), adjustable from 31.5 Hz to
16 kHz (9 octaves). The full sweep of the
lter is reached in 1
1
/
3
rotations.
P1
•
Delay
•
PGM 2
•
AUX
•
MAIN
•
PGM 2
AUX
MAIN
Tap
P1
•
for manual BPM.
•
P2
Feedback
range = 0 to 100%
tarts to
fect
B6
•
P2
•
Frequency
on
•
•
•
•
HP Filter
RANE TTM 57SL MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.4
46
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