Rane TTM 57SL Operator's Manual Page 8

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Gain
These “trim” controls adjust the
selected input to match other
inputs. These controls have a
built-in Limiter that prevents the
signal from clipping regardless of the Gain
setting. If increasing the Gain does not
increase the signal level, then the signal
is already at maximum and the Limiter is
controlling the signal to prevent clipping.
The Gain range is +15 dB to off.
Pan
These controls pan the signal
between the Left and Right
outputs.
High / Mid / Low EQ
The control range is OFF to
+6 dB. These use 2nd-order,
Linkwitz-Riley, Accelerated
Slope™ lters. The Low-Mid
cross-point is 300 Hz. The
Mid-High cross-point is 4
kHz.
Kill switches provide
instant-off for each control.
The skull lights red and
the band is off when its Kill
switch is pressed. When the switch is
released, the EQ goes back to the setting
of its EQ control. These switches may
be set to momentary or toggle operation
within the Scratch Live software.
See
“Latch Kill Switches” on page 34.
Faders
Magnetic faders are used
for both Channel Faders and
Crossfader (the same faders
used in the TTM 56S). Each
fader has an independent
Contour control and a
Reverse switch.
Contour
These controls provide a full
range of fader adjustment
from constant power (Slow)
to extremely fast cut (Fast).
Reverse
These switches are provided for
each fader just to the right of
each Contour control. Reverse
toggles on (lit green) and off with each
push of the switch. These switches are
slightly recessed to prevent accidental
engagement.
Channel Swap
This button reverses the
channel assignment for all
three faders. Pressing the switch toggles
Channel Swap on and off. When the
yellow indicator is lit, Channel Swap is
engaged. When channels are swapped,
the PGM 1 Fader controls PGM 2 and
the PGM 2 Fader controls PGM 1.
PGM 1 is also moved from the A side
of the Crossfader to the B side of the
Crossfader. Fader Contour and Reverse
controls stay with the original Fader. Fader
1 Contour and Reverse is always with
the left Fader and Fader 2 Contour and
Reverse is always with the right Fader.
This switch is slightly recessed to prevent
accidental engagement.
Meter
The Meter has two modes
of operation. The METER
switch toggles between
Dual Mono Cue and Stereo House.
When this indicator is lit green, the
Meter displays the Stereo Mix sent to all
three outputs.
When this indicator is off, the Meter
displays Dual Mono Cue, to show the
levels of PGM 1 and PGM 2.
The top red OL indicator lights at 0 dBFS
(clipping). The Meter displays loudness
with a solid string of lights, and how close
you are to clipping with a moving dot. If
the red OL indicator lights, turn the level
down using the Gain control.
0
20
40
60
80
100
CHANNEL AND CROSSFADER CONTOUR
TRAVEL
DB ATTENUATION
SLOW
FAST
Input
Choose one of four INPUT sources for
each Program.
PGM 1 selects:
• Analog-1 (A1)
• Analog-2 (A2)
• Digital-1 (D1)
• Digital-2 (D2)
PGM 2 selects:
• Analog-3 (A3)
• Analog-4 (A4)
• Digital-1 (D1)
• Digital-2 (D2)
The Analog Inputs come from your
turntables or CD players. The Digital
Inputs come from the Virtual Decks in the
Scratch Live software. If the number for
A1 or A2 is illuminated, the Input has been
selected by the Scratch Live software as
the control source input for Deck One. If
the number for A3 or A4 is illuminated,
the Input has been selected by Scratch
Live as the control source input for Deck
Two. The backlit number is a reminder that
this source may be a control signal and
not audio. You may select a control input
and use it as a normal analog input at any
time without de-selecting it for control in
Scratch Live, but remember that if you
are playing a control record or CD, you
will hear the control signal. See “Control
Source” on page 34.
Mixer
Controls
RANE TTM 57SL MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.4
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